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Interview

A Conversation with Lawson Cross

Lawson Cross is a Brisbane based Director and DOP who specialises in Music Video Production. With his dark and grungy style, Lawson has worked with some of the biggest Australian artists. On top of this, Lawson is also an extremely talented street photographer. Lawson’s work ethic and commitment to learning and improving his skillset inspired me to improve my own abilities. For any up and coming filmmakers, this is a must read.

Beginnings

I just want to go back to where your interest in filmmaking started?

“There wasn’t ever one specific thing. Since I was young, I just knew that creating things made me happy. I remember there was a rap battle in high school and I filmed it on my phone. It kind of went viral in my school overnight because all the teachers were playing it. Class kind of stopped because everyone just wanted to watch it. I kind of realised I wanted to make videos and signed up for Screen Media Production at University.”

I heard you say once that you would post a photo every day to improve your skills. Can you just kind of dive into this mentality?

The only reason I learnt anything was because I was scared of not being good enough. I came from a small town, and I was the “hot shot” simply because I could use a computer. I took a gap year to save up money for university. I would work 7 days a week in the grocery store from about 6am to 10am and then come home and just watch hours of filmmaking tutorials. I thought I got competent at editing and then I got to film school and they taught us the exposure triangle on the first day. I was honestly rattled by it. I went out and bought a camera and spent a week researching everything about it. I went out every day to take photos and slowly developed a good eye over time.”

Music Video Production

Can you just break down where it starts?

“It starts with an artist messaging me asking for a price. Then I just listen to the song on repeat and try to just imagine what it feels like. Either it is something I have wanted to attempt for a while, or I really like this one visual and I want to try that.”

The production processes.

“The kind of approach I take with my filmmaking is that I am very matter of fact, analytical and methodical. I will pre plan every part of it and communicate the exact lighting with my gaffer. On the day, 90% of the time we won’t change a thing. By doing that it allows you to bite off bigger shots and ideas. I also do all the big shots ‘to a tee’ beforehand just so I don’t fuck it up on the day.”

How do you work with an artist? Do you like complete control or is it more of a collaboration?

“I have a very specific style. Artists see this look and want to collaborate. My ideas are always way bigger than the budget though. The more money, the more streamlined it gets, but the less money results in less ambitious freedom.”

Your photography has these characters that you bring to life. Can you just expand break on this process?

“A lot of my inspiration doesn’t come from people but instead pieces. It’s very inspired by 90s grunge and advertising. Like the old PS2 ads and skater mags that you don’t see anymore. Also, renaissance, and religious paintings. These paintings are aligned geometrically with specific lines and layouts. I became inspired by the composition and a single frame telling a story.”

Who are your biggest inspirations? Filmmakers, writers, directors?

“Greg Fraser definitely. I saw the Creator twice in cinemas and it was incredible. Greg only started out being the DOP, but the Batman is my favourite looking film of all time. It is my exact style, the teal and orange rainy cityscape. I love a dark pitch-black image. He is just doing what I do but at the highest degree.”

Your advice to up-and-coming filmmakers / creatives in Brisbane / Australia?

“I would say the biggest thing is knowing when you are being fucked with. A big issue for a lot of people is being led astray. There is a lot of motivational content that is good up to a certain degree. Eventually you must realise when it is time to stop watching self-affirming content. You just must start making your own mistakes and learning on your own. Honestly, just fuck up in private.”

Subscribe and follow Lawson to see his upcoming projects!

https://www.youtube.com/@LawsonCross

https://www.instagram.com/lawson_cross/

Categories
Film Reviews

Black Panther Wakanda Forever (Non-Spoiler Review)

I think I must be one of the few people in the world who didn’t love the first Black Panther. While the first two thirds were great, that last act was so terrible that I cannot rate the movie highly. But after seeing the trailer for Black Panther Wakanda Forever, I was excited for the sequel. It looked like a completely new direction for this series and the MCU entirely. But does it live up to the hype of the first movie? Read on for more.

Black Panther 2 is unlike any other Marvel film (the closest one I would compare it to is Winter Soldier simply for the pacing). It is a carefully crafted movie that takes it’s time with each character. While it does have some moments where it drags, the story doesn’t feel like we are trying to get from Point A to Point B but instead delves into some heavy concepts. In particular, the exploration of grief and vengeance creates one of the most emotionally layered and complex Marvel Movies. It effectively feels like such a breath of fresh air in the recent slate of formulaic films.

What adds to this excellent writing is a beautiful looking film. Each shot is vibrant and bursting with colours. The costumes, lighting and set design keep your eyes glued to the screen and add a depth to these incredible worlds. On top of this, the VFX look realistic. With the recent Marvel films looking like garbage, Black Panther 2 once again stands out. Only 2 shots in this movie look a little rough and that is completely respectable considering the scale of these set pieces.

The action in Black Panther Wakanda Forever never feels like the focus of the film. It is simply a backdrop for the story. Nevertheless, the few actions set pieces in this movie are very entertaining. Ryan Coogler weaves in his signature style to create fast paced and high stakes fight scenes. Each punch feels like it hurts and for once we see some people get stabbed.

What I loved most about this movie was the performances. Maybe it is because they are drawing from Chadwick Boseman’s passing but every actor is bringing 120%. In particular, Letitia Wright and Angela Bassett. How they portray their grief for T’CHalla’s death is some of the most outright heartbreaking acting the MCU has ever seen. I also loved the introduction of Tenoch Huerta as Naymour and Dominique Thorne as Ironheart. As usual, they have cast actors who are perfect for these roles, and you instantly want to see more of.

The final act of this movie had me on the edge of my seat. Not because of the suspense or stakes but simply because I thought they would botch the ending like every other Marvel film. But honestly, they didn’t. Ryan Coogler wraps up this spectacular film with an amazing action set piece and a touching conclusion for Chadwick Boseman.  

Should you see Black Panther Wakanda Forever?

Definitely go see this in cinemas. It is an epic story that deserves to be seen on a big screen. And if you loved the first film, this one is even better.