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Film Reviews

Is Avatar: The Way of Water underrated?  (Non-Spoiler) Review

I am pretty sure I am in the majority when I say I didn’t give a shit about the first Avatar, and I especially didn’t give a shit when they announced the new one. It’s not a hot take but this franchise never pulled me in or made me care. Nevertheless, I knew I had to see it. For the visual effects alone, I knew it would still be an entertaining and thrilling watch. But after seeing it in a packed-out cinema yesterday, I can safely say I was surprised…

James Cameron made an excellent decision going into this film that completely saved it for me – Avatar 2 isn’t about Jake Sully or Neytiri. Instead, it is about the kids. One of the worst parts about that first movie is how boring the protagonists are. They have no charisma and charm and have a super predictable arc. In this movie, we explore the relationships between the children and the reef clan. These characters are engaging and for once I care about these blue people on the screen. It truly saved the franchise and made me excited to see them grow up.

As the lights went dark and the film started rolling, I quickly settled into the world of pandora once again. Avatar 2 starts at a breakneck speed that I loved. It gets the audience up to date and doesn’t waste any time. What’s even better is that the film keeps this pacing. It bounces between action set pieces in a thrilling first hour. Then, we go into the Water Clan. Now I enjoyed the dynamics between the families and a lot of the underwater scenes, but it just goes on for about 15 minutes too long. In particular, the Tulkun set peices. I get it’s pivotal for the themes and arcs but some of it could be cut out.

You can’t talk about Avatar 2 without going into the Visual Effects. They are obviously incredible. I think they especially shine in the action scenes in the final act. The way the fire and water bounce of each other is astonishing. I also love the style of this film. Each shot has this super exaggerated lighting that is refreshing amongst a slate of grey action films. The colours pop and bounce and the Navi were never not convincing as real beings.

While all of these elements worked for Avatar, it still had some fundamental flaws. The main weakness (which has been said plenty) is that the story is predictable. It has no twists or turns and went the exact way I expected. Although it didn’t ruin the movie for me, this needs to change if they want to keep this franchise exciting.

Another core issue I had with Avatar 2 was the performances. Everyone kind of blended in together for me and didn’t stand out. It’s not that they were terrible it’s just a movie this big should have better performances. I truly believe it’s because James Cameron is so focused on the VFX and action that he doesn’t give his attention to the actors. Even Kate Winslet felt underutilised with her range. I know how talented these actors are and I would love to see them really attempt something bigger in the following movies.

SHOULD YOU SEE AVATAR: THE WAY OF WATER?

Absolutely. Avatar 2 is a movie that must be seen in cinema for the Visual Effects alone. While the story is predictable, it is still a thrilling and entertaining ride that has incredible action set pieces.

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Article

The Best Christmas TV Show Ever Made: A Moody’s Christmas

Every single year, I rewatch the same Christmas show. From start to finish, it has become a tradition to binge watch this incredible series in about 2 days. It is one of my favourite Christmas pieces of entertainment ever made and more importantly one of my favourite shows ever created and I truly believe not enough people know about it. It is none other than A Moody Christmas.

A Moody Christmas was released in 2014 and created by Phil Lloyd and Trent O’ Donnell. It is a 6x20minute Australian comedy show. Each episode is set in a different year as Dan Moody returns home from London to celebrate Christmas with his very dysfunctional family. Before I continue, if you haven’t seen it go watch it so you can appreciate this show as much as I do.

The writing of this show is incredible. If you didn’t know, Trent O’ Donnell (one of the writers) has an extensive history working in comedy. The Chaser’s War, Brooklyn Nine Nine, New Girl, The Good Place, No Activity, Hacks and Ride the Eagle – fucking insane. But perhaps his talents shine most in A Moody Christmas. Trent and Phil create characters that are true to them and the audience watching it. On top of this, there is a joke in almost every single scene as well as heartfelt and touching moments. Trent and Phil have written a show that is a perfect balance of what we love about Christmas – comedy and family.

Directing comedy often goes unnoticed. Most audiences just assume you stick a camera on a medium and close up shot and let the actors and writing do the rest. But as I was rewatching a Moody Christmas for probably the 6th year of my life, I remembered how pivotal good directing is. Trent truly understands exactly where the camera needs to be and how it should cut together to make it as funny as possible. There is a one take in episode 1 that perfectly highlights each character in the space of 5 minutes. We understand the entire family and effectively feel as if we are stuck there with Dan – a perfect example of excellent directing.

A Moody Christmas has one of the best Australian casts I have ever seen. Every single actor in this brings an amazing comedic performance and timing to their character that just could not be replicated in America. In particular, Patrick Brammall and Darren Gilshenan create these hilarious characters that are so relatable to an Australian audience. Ian Meadows has this awkwardness and nervousness that feels so natural and Jane Harber bounces off this perfectly. In fact, it feels like everyone in this family is someone I know or have met before – a true compliment to the actors and director.  

There are many many reasons why I love this show so much. Good writing, directors, actors, editing. But ultimately, I think there is one core part that makes me obsessed with A Moody Christmas – it’s Australian. Seeing good Australian productions is always so satisfying and inspiring. It makes me want to keep making Australian content and as a result, is so pivotal in ensuring we are not always driven to make American shows. Shows like the Moody’s, Upper Middle Bogan and recently, Colin from Accounts have pushing the Australian film scene in the right direction. When people bag on about Australian TV or Movies it is often because they haven’t even watched shows like this.

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Interview

The Best Christmas Short Ever – Interview with Writer Tyson Yates

About 4 years ago, I went to the Brisbane Backyard Film Festival. Two films from that night stuck with me that I truly loved and have never stopped talking about. One is Follow that Taxi (I did an interview with Sam Monaghan this year) and the other is It’s Christmas. It is one of the funniest and most original short films I have ever seen and my favourite Christmas short ever. On top of this, it won the audience award at the Brisbane Backyard Film Festival. Before you read this interview, go and watch this film below, it is well worth your time.

Recently, I did an interview with the writer of It’s Christmas – Tyson Yates. Tyson is a Brisbane based writer and director. On top of this project, he has written Lemonade – a comedy web series – and wrote and directed Smashed – a comedy short which won Audience Choice at West End Film Festival. Read on for more.

DP David Aponas and Tyson behind the camera

What inspired the story of It’s Christmas?

“I used to work in journalism, but my number one thing was writing for film. One year I upped and left and do a year of film school. I plopped myself down in Brisbane and did a year at university.”

“The whole idea is just kind of a typical Christmas for me, I am from a small country town in Northern NSW. It was hot, sweaty, there was drama over the prawns. This one was just one of the first scripts that just flowed out of me. I don’t think I struggled to write that one at all. It was just taking tid bits from my family and inserting into the script. And also just who doesn’t love writing genre.”

What was your process writing for this and writing in general?

Kristie and Tyson Yates

“When you are writing you put a lot of pressure on yourself. I think the unspoken thing though is that no one has it right – even some established filmmakers and writers. There has never been this smooth process in writing. But I think the background in media and written journalism really helped the discipline of it. When someone is paying you to write a story you don’t have an option of not feeling it or having mental block – the deadline is 5.”

As someone who writes and directs did you find it hard handing over the It’s Christmas Script?

“I have directed the last couple of things I have done. I released smashed a couple of years ago and that was the first major thing I directed. I just decided to Direct to get it done in the exact way it’s in my head. With It’s Christmas, I must have been a terrible person to have on set because I was following the director around and buzzing around like a fly. I think in the future I will focus less on directing and more on script writing because it’s just a huge commitment.”

Tyson directing actors – Winnie Mzember (middle) and Kyle MacCallion

Are there any specific Christmas movies you love or are inspired by?

“I really love the tone of A Moody Christmas. It spoke so much to me and I think they were aiming for the same thing because it feels like a person experience of an Aussie family. I have had a couple Christmas’s in the cold, and you miss it when you’re not here. I also love genre Christmas movies like Krumpus.”

Were there any general movies that inspired it as well?

“Absolutely Sean of the Dead. Edgar Wright is a perfect example of a filmmaker who can take ridiculous concepts and squeeze sentiment into it.”

Tyson on sound with Nicholas Rowan (sound) and Mellisa Johnson (makeup)

Other Projects

Creating both Smashed and Lemonade, what have you learnt from both projects and would advise filmmakers about starting a web series?

“I am from the school of keep it simple. Everyone does their share house comedy, it’s low stakes. You watch some amazing comedies like Arrested Development and Scrubs, the comedy just comes from the simplicity and characters – something I am still learning. Don’t be discouraged by not nailing something. It was interesting at film school how many people wanted to be at the finish line already. I have resigned myself to the fact that it’s going to take a long time to learn but the best way to do that is to keep it simple.”

As someone who also did one year of film school, I was wondering your opinion on it and if think it’s worthwhile?

On the set of Smashed

“There are two different camps, I guess. I learnt a lot from film school and especially what not to do in a safe situation. You are at the mercy of whoever else happens to be in your cohort. It can be a bit of a scramble to get on top. I didn’t have that problem to much as I had some pretty set goals. There was also good teachers I learnt a lot from. But the reason I left was because the classes and lessons were starting to repeat themselves.”

What is next for you?

“I recently got a job in a production company so any of my film projects just stopped at that point. I had a hiatus for a few years and then recently we jumped back on board with the short stack guys and shot a short film in August. It’s very similar to smashed in that it’s a couple of locations and housemates together. We are just doing the assembly edit now so it’s looking good.”

If someone came to you with one film wish, what would it be?

On the set of It’s Christmas

“I don’t know if I would want to wish my way to the finish line. But me right now I feel I am still finding my way through writing and directing. I would be absolutely horrified to have a world class actor standing in front of me asking what do to. It would be something small like making an indie feature that is well within my means. I would love to have this indie gem of a film that is well regarded. And then I am happy to be sky rocketed into making a Marvel film, substance abuse, not seeing my family – you know, the Hollywood dream.”

Where do you want to see the Australian film scene in 5-10 years?

“I think I have never really put much thought into getting funding. “I guess i believe that a good script will have it’s time and eventually get made. I know people bang on about funding being political, but those people usually have a shit script. I like to believe that a good idea, a good script, will get picked.”

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Article

My Favourite Christmas Movies Ever

Every year, studios pump out these low budget Christmas movies that are absolute garbage and most of you haven’t seen. But amongst these, there is probably 10-15 good Christmas films. And amongst them, there is about 5 Christmas movies I genuinely enjoy and love watching. These are the films that every year I want to watch and am genuinely excited for. They aren’t just based off nostalgia or what critics love but instead movies that are genuinely good. Therefore, this list isn’t based on the classics or essentials but instead what I actually am excited to watch.

5.Office Christmas Party

(L-R) Kate McKinnon as Mary Winetoss, Olivia Munn as Tracey Hughes, Jason Bateman as Josh Parker and Jennifer Aniston as Carol Vanstone in OFFICE CHRISTMAS PARTY by Paramount Pictures, DreamWorks Pictures, and Reliance Entertainment

I know this will trigger a lot of people but I love this movie. While it has some big faults, I think it is one of the few Christmas movies that I could rewatch again and again. It brings together an incredible comedic cast that carry a very basic script. Too many Christmas movies feel dated and aren’t actually funny but Office Christmas Party is one of the best modern Christmas movies.

4. Sunburnt Christmas

Most people reading this list have never heard of this film BUT hear me out – A Sunburnt Christmas is an amazing Australian Christmas film. It perfectly encapsulates Christmas in the outback and more importantly has an engaging plot. There are twists, good jokes and a refreshing Christmas story that feels new. While some performances are a little rough, I think this is definitely the best Australian Christmas movie ever made, it is 100% worth your time.

3. National Lampoon’s Christmas Vacation

A classic essential Christmas movie that is entertaining from start to finish. Although it feels a little dated and Chevy Chase drives me crazy, any time it is on Channel 7, you know you are watching the rest of that movie.

Chevy Chase stands at the head of the table in a scene from the film ‘Christmas Vacation’, 1989. (Photo by Warner Brothers/Getty Images)

 2. Home Alone

Now it’s time for the big dogs. Home Alone has this very specific feeling and emotion it creates that I will try my best to put into words. Essentially, it feels warm. Like Harry Potter, Chris Columbus makes you feel safe and at home every time you are in the McCallister home. There is no movie like Home Alone that makes you feel this in love with Christmas. The lights, decorations, trees, presents. Everything is exaggerated to make this holiday a perfect representation of how a kid views Christmas.

  1. Love Actually

Choosing number one and 2 was tough but ultimately, I just went with what I would want to watch on Christmas Eve. Almost every scene in Love Actually is rewatchable. It is just filled with these moments that make you want to go back and watch it again immediately. On top of this, the characters are perfect. You love the ones you’re supposed to and despise the rest. This is down to one of the best British Casts of all time. Love Actually is a movie I look forward to watching every year at Christmas and I truly believe never gets old.